Search Results

“... Is anybody listening? This isn’t a question that detains most eminent Western writers of fiction, whose able conjurings of hot-air balloon disasters relived in appalled slow motion, or of multiple family unravellings that refigure the world, are the engines of supercharged literature. But the great novelists have a problem. They’re expected to perform, and in order to perform they have to submit to their own fiction, which – in the manner of any great performance – has to be oratorical and technically faultless ...”